After painting the sky and some flat colour, creating some really nice shapes we moved a few images around and decided to go with this view of the Valley mall from the front of the Empire Hotel. This space is about 12% of the total size.
Wednesday, August 27, 2008
Monday, August 25, 2008
Monday, August 18, 2008
Brunswick street Project
Tuesday, July 22, 2008
Thursday, July 17, 2008
Tuesday, July 15, 2008
Friday, June 27, 2008
Paintings for new show july 08
Tuesday, June 03, 2008
Wednesday, May 21, 2008
The view from Jo's back yard with tree
Three panels on ply (900x2200). Made from photos taken at Jo Daws' Parents property in the sunshine coast hinterland.

Friday, May 02, 2008
Monday, April 14, 2008
Blossoms in the Valley
This new painting is on two ply wood panels 900x1200mm each. The total width is 2400mm. The ply is fixed to pine frame and joined in the centre with bolts. Ply is a tough surface to work on but is much lighter and stronger than Masonite. The paint is all acrylic and ink
The image is made from three photos. Far left is a shot taken from outside the empire hotel in Brisbane's Fortitude Valley, looking down Anne street. The centre are cherry blossoms in Japan and the far right is a woman walking up Wickham street also in Fortitude Valley.
Tuesday, February 05, 2008
the art factory gallery


Thanks to all who made it to the Art Factory last Friday night for the opening of economic painting. It is a very encouraging thing to finally see all the paintings up together on one wall.
A specail thanks to Jo Daws and Kenji Uranishi who (as usual) gave up their time to help set up the show. To Drew for being the bar man. Very special thanks to Tanya.



A specail thanks to Jo Daws and Kenji Uranishi who (as usual) gave up their time to help set up the show. To Drew for being the bar man. Very special thanks to Tanya.
Thursday, January 17, 2008
Economic Painting
Saturday, December 08, 2007
new paintings
These two paintings will be on the wall at my exhibition opening on 1st of feb (details above).
They are painted on what is becoming my standard size of 1200 x 900 sheets of Masonite with pine backing frames. Both are acrylic and Indian ink (no titles yet).
I am enjoying being in the space between abstract and representational painting. This painting also has the original photograph playing a big role in the representation with silhouette and poster realism.
The sky blue is also becoming a bit of a standard, although it is a little different every time. Pale blue is such an inviting colour. I discovered this blue when doing paintings for Maxwell's bedroom.... its such a boy colour! It should be noted that I also use a lot of pink.



They are painted on what is becoming my standard size of 1200 x 900 sheets of Masonite with pine backing frames. Both are acrylic and Indian ink (no titles yet).
I am enjoying being in the space between abstract and representational painting. This painting also has the original photograph playing a big role in the representation with silhouette and poster realism.
The sky blue is also becoming a bit of a standard, although it is a little different every time. Pale blue is such an inviting colour. I discovered this blue when doing paintings for Maxwell's bedroom.... its such a boy colour! It should be noted that I also use a lot of pink.



Wednesday, November 28, 2007
Tuesday, November 20, 2007
new paintings

This painting was made from two photographs. One of a retail clothing store and one of Mt. Fuji in Japan. Both photos were taken by Jason. I have used light pastel colours and thick, mat acrylic mixed with a lot of gesso. The result is powdery, delicate surface with sharp definition.
The painting is yet to be named, 900 x 1200 on Masonite
This painting is made from more different photos than I can remember. It has been a work in progress for about a year. Again, sharp lines are the key along with attention to balance and colour.
Also yet to be named 900 x 1200 acrylic and ink on ply wood.
Monday, November 12, 2007
Photos for new work



These photos are an example of some of the images I am using for new paintings. They come from a collection of photos taken by my brother Jason on a recent visit to Japan.
Painting from another persons' photos is a first for me and the results are exciting (I think). These new paintings will be part of the next exhibition in Feb.
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